Top Writing Tips
Sometimes
there is so much to remember when we’re writing that it’s easy to forget some
things, but all it takes is some quick and easy tips to give ourselves that
little push to make sure we’ve covered all the necessary elements to write a
good story.
So, to make
sure you don’t miss the obvious, here are some quick and easy writing tips:-
1. BANG!
That’s your
opening gambit. Or something very similar.
In other
words, start your story at a pivotal moment in your character’s life, a moment
of change, a moment of jeopardy, or even a bang; something that makes the
reader instantly sit up and take notice.
Don’t ever
start a story with lots of backstory. That means the reader would have to wade
through three of four pages of boring information before anything notable
happens. Your opening chapter, and your
opening sentence, should grab the reader and throw them right into the action,
right from the outset.
2. Tempt, Tease & Tantalise
Sell the
story like you mean it. In other words, never lose sight of the whole story and
what it means for the reader. So you’ve grabbed their attention with a good
opening, you’ve set the scene, you’ve introduced the main character and you set
up the conflict…but then what?
Well, you
keep doing just that you have to hold the reader’s attention for the entire
story – tempt, tease and tantalise the reader from the opening sentence to the
closing paragraph. That means you have to keep them reading by tempting them
with what may come, you have to engage and entice them with the story by
dangling those carrots and you have to excite and frustrate them in equal
measure, right until the end.
3. Create Conflict
If there is
little conflict there is no story.
Every story
needs it. That means there will be a protagonist and an antagonist working
against each other, and there will always be something stopping the main
character reaching his or her end goal. That’s what conflict is about.
Conflict
causes tension and tension causes atmosphere. Your story should never be as
flat as a calm lake. Instead it should be rolling and roiling like a stormy
sea.
Conflict
comes in three forms, so make every use of them:-
Man v. man (external)Man v nature (external)
Man v himself (internal)
4. Raise the Stakes!
Don’t make
it easy for your main characters.
In fact,
make it as hard as possible for them to reach their ultimate goal. Be mean.
Back them into corners, give them problems to deal with, place barriers in
their way, give them dilemmas and force them to make choices.
Keep raising the stakes...readers love it.
5. Dump the Info Dump
Many writers
fall headlong into the info dump. This
is when there is too much explanation in the narrative, where the writer has forgotten
that huge chucks of information will bore the reader senseless. Readers don’t
mind information, but in small, easy to digest snippets. In truth, they just
want to get back to the action.
If you’ve
written three pages of explanation or backstory, go back and edit it until it’s
no more than three or four paragraphs.
6. Go on a Wordy Killing Spree
Go through
your story and kill all those pesky adverbs and adjectives - they just love to creep
into the narrative and weaken it. Instead, replace them with nouns and verbs,
which strengthen the narrative.
Get rid of
all those dangling participles at the beginning of sentences, look out for
repetition, weed out the instances of ‘was’
from your descriptive passages, and make sure your descriptions don’t
suffer from wordiness.
7. Show, Don’t Tell
Everybody
knows this maxim. Where important descriptions are concerned, show the reader, don’t tell them. Your
story isn’t an instruction manual. If you tell the reader everything, rather
than show them, they won’t be able to engage with the story or your characters,
they won’t be able to imagine being there in that moment.
For example,
don’t tell them that two characters are trying to cross a fast flowing river to
rescue someone on the other side, that they used a rope and made it safety.
That’s boring.
Show the
reader how the characters struggle with the current, show the danger, the fear.
Show them the conflict (man v. nature), and show the determination and strength
of courage and finally show them the relief when the reach the other side.
By ’showing’
the reader, you strengthen your key scenes considerably.
8. Make Your Ending Count
Your ending
should never be a damp squib. It should be satisfactory for both writer and
reader – in other words, it should be absolutely right for the story.
Don’t
overwrite it, or let it drag on, but don’t leave the reader scratching their
head or feeling they’ve been short changed, either. Put as much effort into
creating the right ending as you would to create a great opening for your
story.
If it doesn’t
feel right, then it probably isn’t.
Endings should tie up all the loose ends and more importantly, leave the
reader gratified and contented with the outcome.
9. Read Your Story Aloud
Another
great way to edit is to read your story aloud.
This may seem strange, and you may feel silly doing it, but it is a
fantastic way for you to actually ‘hear’ what you have written, as opposed to
reading it.
Reading it
aloud allows you to listen to your dialogue – does it sound real enough, does
it make sense? It also allows you to hear the pace of your story and whether it
flows correctly, and whether all your sentence structures read well.
10. Write, edit, write, edit…
First drafts
are but the skin that covers the bare bones. That means no one can ever write a
perfectly polished, publishable story/novel first time around. It never
happens, because the story will be full of mistakes, there will be too many
long scenes, stuff that doesn’t quite make sense, characters that can be
ditched, holes in the plot, not enough description, or not enough dialogue, or
subplots and loose ends that need to be tidied up.
What writers
do, however, is edit each draft until it’s a close to perfect as possible. Some
writers can do it in two or three edits, depending on their experience, others
need four or five edits. But each time you edit, the story should improve,
until there are no plot flaws, everything reads smoothly, there is a good
balance of narrative, dialogue and description, there are no grammar errors,
the subplots compliment the main story and the characters are fully fledged and
so on.
Never lose
sight of all these elements and you won’t go far wrong in your writing.
Next week:
Does cross-genre writing really work?
Useful and timely tips. Thank you AJ!
ReplyDeleteThanks Lilian.
DeleteThis is a really helpful post. It's the kind of advice that is out there in many forms, but putting it all together makes it easier for beginning writers to access it.
ReplyDeleteA small thing to add: make sure the reader cares about your characters before you put them through hell.
Thanks for summarizing this!
Glad it's proving useful, thanks.
Delete