Creating Suspense & Atmosphere – Part 2
Last week we
looked at creating suspense and expectation.
This week we’ll
look at atmosphere and how it works in relation to suspense in order to keep
the reader on the edge of their seats.
Firstly,
atmosphere often refers to the mood and feeling that is created within the
story. Sometimes it is subtle, sometimes it’s obvious. But relaying it successfully depends entirely
how well the writer conveys it. If done well, the writer will have created an
emotional response from the reader.
Without a reader’s
emotional connection with characters, the ability to capture atmosphere will be
lost.
But what
actually creates atmosphere?
Several
elements help the writer create a sense of atmosphere – description and imagery,
senses and the setting. Used separately they are interesting elements, but used
together they have the power to drag the reader right into the heart of the
story.
Description and Imagery
Description helps
the reader understand what is happening within the story; it gives them more
than just a flat landscape to walk through. They rely on descriptions to
imagine the characters and the places and the action. Even small, descriptive details
help create atmosphere.
But
description is nothing without powerful imagery to enhance it.
Imagery refers
to the sensory details given by the writer – it is the catalyst to creating
mood and emotions, and ultimately, a sense of atmosphere.
For
instance, a dark house in the middle of the forest already creates a sense of
mood. The clever use of description enhances that mood – things like shadows,
low cloud, the intense darkness, moisture in the air, earthy, musty scents. For
example:
Rust tinted clouds gathered across
the forest, full with rain. Behind the grimy windows of the old farmhouse, the
shadows of the past skulked without purpose, forever silenced, except for the
wind rasping through the its empty hallways...
The
description in this example, inlaid with imagery, creates a sense of foreboding
and unease. These feelings and emotions, and the imagery, creates atmosphere because
it is manipulating how the reader
will feel.
If it was
written with different description and imagery, it would create an entirely
different atmosphere, for example:
Marshmallow clouds drifted across an
azure sky, and reflected the sunlight across wide open fields. Behind the pristine
windows of the farmhouse, children chased each other from room to room, filling
the air with voices of delight.
You can see
how the mood is different and the atmosphere is one of light and playfulness.
The right choice of words creates evokes entirely different feelings for the
reader.
You don’t
have to over describe, but think carefully how your descriptions build upon and
maintain the atmosphere.
The Senses
In addition
to description, writers use the senses to enrich the description and overall
mood, which they do not just through description, but more importantly, through
their characters, because this creates a sense of immediacy.
What can the
character see? What can they smell? Can they taste anything on their tongue –
the salty hint of sea air maybe? What can they hear? A soft breeze on a summer’s
day, or the low growl of a storm?
What if they
reached out and touched something? What would that something feel like? Is it
soft and wonderful or is it vile and sticky?
These
elements can help the reader imagine these senses, and again the choice of
words and the anticipation creates atmosphere.
Setting
In my
previous example I used an old abandoned farmhouse surrounded by a forest. This
is the setting. By the virtue of it being abandoned to shadows, it already
creates atmosphere and the reader will immediately pick up on the eeriness and
the seclusion and the trepidation.
The setting
that you create can evoke something warm and fuzzy, or it can be creepy and
scary. It could be something nice taking place in the daytime, or it might be
something terrible about to happen during night time.
Weather
conditions can form part of your setting, so you could have a scene with the
sun and the heat, or you might want a thunderstorm and the coolness of the rain.
Each one conjures different connotations.
Whatever you
create, they all form part of the overall atmosphere and has to create a strong
response with the reader.
Consider the
imagery certain words can create, think about the emotional responses you could
generate with the right choice of words, whether they are positive reactions or
negative ones.
When you mix
together the right description, the right imagery, the setting, and you involve
the senses, you can create atmosphere, mood, tension, anticipation, trepidation…the
list is endless. And all these keep your
reader on the edge of their seats.
Next week: The difference
between exposition and narrative.
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