How to Motivate Your Characters
Every writer
will know just how important characterisation is. It’s what gives characters their
unique characteristics, it’s what makes them seem real to their readers.
One of the
aspects of characterisation is motivation – the reasons why your characters do
what they do. What are the reasons
behind their actions? What is it that drives them to act in a certain way,
sometimes contrary to their personalities?
Motivation
is one of the driving forces with any story. It is what makes them achieve
their goal by the end of a novel, and it is what makes them change in either
their personality or outlook, it is what makes their journey so tenable and believable
for a reader.
More
fundamentally, it moves the story forward.
But how do
you keep your characters motivated (and more importantly, your readers
interested?).
Writers use
various ways to do this – Goals, obstacles, subplots and conflict. These main
drivers, when combined, form a powerful fiction writing mix.
Goals/Objectives
If you’ve been wise enough to sketch out a plot summary, then you will have
an idea of what will happen during the course of the story and you may have an
ending in mind. That means you’ve already assigned a specific goal for your
main character to achieve, e.g. save the world or find the truth or prevent
disaster, that kind of thing.
If you haven’t written a plot summary, you may not always know where the
story is heading, and character goals may not be so apparent, or they may
change considerably by the end of the novel (which means some of the character
motivations may not make sense).
Of course, it’s not just your main character that will require
motivation. You might also have an antagonist who also has his or her own
objectives to achieve (usually to thwart to hero reaching his or her goals in
some way or another).
There is no rule to say a character must have just one affirming
objective in a story, either. They could have several. So by setting your
character several objectives, you are motivating the characters to do certain
things and to act in certain ways in order to get what they want.
By doing that, you are moving the story forward.
Obstacles
No story would be worth reading unless you place plenty of obstacles in
the way of your characters. Just when
your character (and the reader) thinks the goal is in sight, you throw a curve
ball, you knock them back. Your characters are not there for an easy ride. The
writer should make life difficult for the main characters.
By placing obstacles in their way, you are creating new motivations for
the characters – the motivation to overcome the knock backs, to beat the odds,
to get out of difficult situations, and to succeed in reaching that ultimate
goal.
You should push your characters in different directions, make them act,
react or adapt.
By making their lives difficult and pushing them to the limit, you are
once again moving the story forward.
Subplots
These extra plot strands - pertinent to and parallel with your main plot
– can provide extra motivation for your characters, because subplots will
involve secondary characters directly involved with the main character, and
they will interact with your main character. That means they will have their
own ideas and objectives.
How you make your characters interact within these subplots will provide
impetus for keeping your story moving towards the conclusion. It may be that
your main character’s goals change focus because of a subplot, therefore the
motivation may change and new objectives come into play.
Conflict
Conflict is absolutely necessary in fiction. Without it, you don’t have
much of a story.
Creating different conflicts reaffirms any character’s motivations,
because of the negative and positive aspects associated with it. Just as
obstacles provide necessary motivation, the same is true with conflict. That’s because one character wants one thing,
but another character may disagree and try to prevent it, thus creating conflict
(and new motivation).
The more conflict you have with different characters, the more incentive
you give them in order to get what they want.
And just like goals, obstacles and sub plots, conflict is a vital
ingredient in moving the story forward.
If you want to motivate your characters, make sure you give them
achievable objectives, give them plenty of hurdles and difficulties to overcome,
weave in a subplot or two and above all, give them something to fight about – conflict.
Next week: Writing love scenes
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