All Write - Fiction Advice

Background information shouldn’t be confused with backstory. When we talk of background, we’re referring to the peripheral details that writers use to colour certain areas of the story. It provides extra information for the reader and therefore makes the story more immersive. Backstory refers to past events which form the development of the character and story arcs, while background provides a little bit of context to the action taking place in the present. Background is all about the details that can help layer a story and provide some depth, such as where and when the scene is taking place, or subtle things that are happening within the scene. It’s important that you show the reader the background for each scene, otherwise they won’t be able to build a picture in their mind.   Writers often forget to describe where the characters are in relation to a particular moment in the story, which can make it difficult for the reader to follow what’s going on. Readers need details. I...

Every writer who has used Word will be familiar with the phrase ‘fragmented sentence’.   It’s usually flagged up because it thinks the sentence is incomplete and therefore not grammatically correct, for example: A lot of rain. The children outside. A fragmented sentence is a clause that is missing a subject and a verb, so it appears as though it’s an incomplete thought. The subject is the who or what of a sentence and it gives the reader extra information within the sentence. And without a subject, there is nothing and no one to complete the action, which means the sentence is expressing an incomplete thought – it appears fragmented, for example: A lot of time and effort. As it stands, this sentence doesn’t form a complete thought – it’s doesn’t have a subject or a verb. The verb tells the reader what the subject is doing, so if there is no verb, readers won’t have a complete picture. The inclusion of a verb provides the action in the sentence, for example: A ...

Finding connection is all about the ability to connect with the reader through your story and your characters.   Why? Because everything within the story should be relatable to the reader – something they understand, sympathise with or have experienced. The moment the reader makes that connection with the story and the main character, that’s when then the story takes on a deeper meaning – the moment the reader will care and become emotionally invested in what happens to the characters and the story. They’re not just reading a story; they’re being part of it. Finding connection isn’t as difficult as it sounds. It happens when you create a sense of immediacy , which is like an invisible bond; a sense of familiarity. Immediacy can be achieved through your characters, so the characters you create play an important role in establishing a connection with the reader. They have to be likeable and believable people. That’s why readers are drawn to ordinary people whose circumstances t...

It seems that many writers don’t understand the semicolon, or they don’t know how or when to use it. Some writers just don’t like it and never use it in their writing, which is a shame, because the semicolon is such a versatile little thing, and when used correctly, it can change the dynamic of a sentence. The semicolon (;) isn’t a comma and it’s not a full stop. Whereas a comma indicates a brief pause to separate two independent clauses, and a full stop indicates the end of a sentence, the semicolon is considered stronger than a comma because while it can act as a brief pause, it can draw the reader’s attention to something specific in the narrative and can add context and it can bring clarity to your sentences. Writers use it to emphasise a connection of elements within a sentence, as well as to separate those elements within the sentence. A semicolon is most commonly used between two independent clauses (stand-alone sentences), in the absence of a co-ordinating conjunction (wo...

Give Your Novel Structure Story structure is the basic framework for the story.   How it’s constructed is down the writer, but to give your novel a good structure, you need to know all the working elements of a great story – a tight plot, underlying themes, unforgettable characters, an exciting beginning, escalating action, drama, conflict, emotion, plot twists and, of course, a satisfactory ending. The narrative structure should allow the reader to understand what is happening to the characters and understand why the story is happening by using an almost invisible step process. Most people think of story structure as a three-act type of framework – the beginning, the middle and the end, but that’s quite vague and doesn’t truly capture the different aspects.   Story structure doesn’t have to be very complicated. A basic narrative framework follows a general pattern, something that has a catalyst - an instigating incident that starts the story, followed by escalating ac...

Anticipation isn’t at the forefront of a writer’s mind, but it’s an equally important element for creating a good, page turning story. Isn’t anticipation the same as tension?   Not quite.   Writers use tension like a rubber band, they flex it to heighten tense moments during a story and then loosen their grip when they want to relax things or lull the reader into a false sense of security, but creating anticipation is a little different. A sense of anticipation is all about expectation . The reader is expecting something to happen; they’re expecting Character A will do something drastic, they’re expecting the story to conclude with a showdown…and so on. In a way, the reader is quietly predicting what will happen as the story unfolds, so writers need to divert that expectation so that the plot isn’t as predictable as readers think. And the way writers do that is by creating uncertainty and doubt to develop a different sense of anticipation. Think of a football competition – o...

Every story requires narration – it’s the glue that binds the dialogue and the description to the framework of your story, but if not done correctly, it can cause problems for writers. The narration in a novel is most often either first person or third person. It’s the informative stuff that the reader needs to help them follow the story – background information, facts, non-active description and character revelation. Narration is the ‘telling’ part of writing, not the showing. It fills the gaps between description, active scenes, and dialogue. It’s an essential part of storytelling, but as with so many things when it comes to writing, it’s easy to provide too much of it. When used correctly, narrative can help to control pace – it can slow the story when necessary. This allows the reader to take a breather from the action while they process prior information or events. It also gives the writer time to establish background details, give more information, move the story to the ne...