Why Your Story Needs High Stakes
What are high stakes?
It’s the risk element at the heart of any story. What might be lost?
What might be gained? What might be the consequences?
Within every story, the main characters often make choices that affect
the path of the story and they are responsible for actions and reactions that
create cause and effect. The consequence of those actions is that some risk is
involved – whether that’s personal risk or public risk (i.e. risk to other
people).
High stakes – or high risks – are also made tangible by the presence of
conflict. Where there’s conflict, all manner of risks tend to emerge.
The reader wants to know what might be gained or lost within a story. Is
survival at stake? Is it love? Or a loved one? Is it a house, something
precious or something sentimental, perhaps? These are the things that mean most
to your main character – something that resonates in all of us. What would you
do to protect your family, your house, everything you have? And what would such loss mean?
High stakes indeed.
There is always something or someone at stake in every story; some that
are deeply personal and some that puts other people in danger – and this
friction causes all manner of conflict; just the thing you want for a great
story.
Personal
High Stakes
What means the most to you is probably not far different to what means
the most to your characters. And if such things were at risk, it’s likely we’d all
act in a way to try to do everything in our power to avoid the consequences.
Your main characters will act in the same manner. An element of risk will
change their behaviour; they will do things out of character, go to extremes or
maybe even cross certain lines to achieve his or her goal.
By creating high stakes that are personal to your main character, you
create immediacy with the reader, who will sympathise; they will understand the
motives of your characters and they will become emotionally invested because
they will know what such high stakes mean. Not only that, but the more
realistic the stakes, the involved the reader will be.
Of course, the one thing that keeps the tension within high stakes is
the huge and very real threat of failure. What if the hero fails to
find the car bomb? What if he/she can’t
find the cure for his/her son’s mystery illness? What if the father can’t save his son from
the house fire? These are true high stakes.
But the idea of the high stakes relies on that realisation that it might
go wrong and all will be lost. That’s the reality.
Public
High Stakes
Personal high stakes are one thing, but public ones carry greater responsibility
because it’s not just one person or one thing that your main character has to
consider, but it could be the fate of many.
There are always innocent victims of conflict. Clever writers use public
high stakes to crank up the tension and create extra conflict by making things
worse for the people involved.
For example, imagine a hostage situation. The bad guy will start killing
hostages unless your hero can try to talk him out of it, or perhaps disarm him.
Or what if your main character is a soldier trying to defend a village from terrorists?
Does he sacrifice some of them to reach his goal, or does he gamble those high
stakes to try to protect the innocent women and children, while facing the
inevitable threat of death, all by himself.
With public stakes, there is greater capacity for something to go wrong,
to fail, and therefore the loss would also be greater. The emotional impact of
this threat is more significant. The consequences are palpable and very real,
and if writers can create this sense of realism, then the story will become
even more compelling.
Change or
Escalate the Stakes
Don’t be afraid to change the stakes to keep readers interested. There’s
no reason why your main character can’t start out with one set of stakes and as
the story progresses, more conflicts emerge and those stakes take on a
different meaning altogether.
Protagonists and antagonists will share different high stakes, so when
they are thrown together at various points in the story, their goals and motivations
create huge conflict, because one will lose and the other will win. So whatever
is at stake, there will be loss and there will be gains. Good or bad. One or
the other.
The other thing writers can do is escalate the stakes, to make things
almost impossible for their main character or to make the stakes such that the
hero could lose everything if they make a fatal mistake or decision. Writers
love nothing better than to make everything a whole lot worse for
everyone, because the moment they do, they escalate the risk, and when that
happens, the consequences become unfathomable, terrifying and very real.
The fundamental question is this: what is truly at stake for your
protagonist? Is it worth the risk? The answer, of course, is yes, it’s always
worth the risk. The higher the stakes, the greater the risk. Risk creates
tension and conflict, which in turn creates emotions.
This is why your story needs high stakes. Without them, your main
character will have nothing much to do and nothing much to care for.
Next week: How to engage the reader
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