When Do You Know It’s The Right Time To Edit?
What seems a
straightforward question doesn’t always mean there’s a straightforward answer.
Even when a
writer has completed a story, it’s not always clear when he or she should edit.
That’s because a lot of writers will simply go back and tinker with various
chapters, which means the writing process carries on without any definitive
break or proper editing. This is common with new writers. They write, then go
back a few chapters and change things, then carry on writing, and then they go
back and change things again and so on, in a perpetual cycle, so nothing
constructive gets done.
Other
writers reach the end, but then immediately start thinking about the unresolved
issue in chapter 14. Or there’s a subplot that they forgot to address. Or they
should have added something in that all important action scene between the hero
and the villain. Immediately they go
back to add and change things. And because they change things in the proceeding
chapters, they then find they have to change things in latter chapters in order
for the story to fit.
But that
isn’t editing. It’s toying with the story and it doesn’t help. These behaviours
mean that the writer doesn’t understand when it’s the right time to edit.
The right
time is when you’ve finished the story and written the last chapter. But the
last chapter doesn’t mean the last chapter where we write ‘The End.’ That’s how
it is for the majority of writers who write their novels chronologically, or linear,
so the last chapter really means the last one. There are exceptions to this, because
some writers write out of sequence, known as non-linear writing. They
sometimes know how the story ends (sort of) and write the last chapter first,
or they write the middle sections first.
Some writers
are scene writers. In other words, they
write lots of difference scenes, not all in sequence, and then weave these into
the main story to make a full novel. But they still have to write all the other
chapters, so when they’re all written, regardless of the sequence, and they
write whatever the last chapter might be, then it’s time to edit. They’ve
reached the end. That’s it.
That means
instead of immediately going back to tinker with things, writers need to leave
it, completely, otherwise they won’t be able to separate themselves from the
story well enough to form an objective perspective during editing, which is
vital to the overall process.
The urge to
fix that issue in chapter 14 or the hero needs to kiss the girl on page 40
might be there, but writers have to ignore it. Once the last chapter is
written, it means that will be the right time to properly edit, where those
issues and flaws and things to add can be completed at the editing stage.
Some writers
just can’t distinguish when to stop writing and start editing, even after they’ve
finished the last chapter. They have to learn not to go back and don’t tinker
with things.
Instead, writers
should put the novel aside and leave it for several weeks at least. Some writers leave it for a month or two, even
longer. But at some point they have to step away from it completely. This is
just as important as the actual writing process – it’s necessary to allow the
mind to refocus and not think about the story, so that when they do return to it, their
minds will be refreshed, focused and able to see the story objectively.
After
several weeks break from the story, they should do a read through. This is a
good exercise because it shows how the story actually reads from a
reader’s perspective. It will become apparent just how good the story is – does
it make sense or does it jump all over the place and go off at a tangent? Do
the characters leap from the page; are they believable? Do the subplots make
sense? Are there any? Are there gaping plot holes? Is it just a pile of jumbled
rubbish?
Writers
don’t notice these things when they’re writing the story. They’re too close to
the work, too involved and too absorbed to pay attention. And this is why it’s
important to leave the work and come back to it after a long break.
The second
read through is where writers make notes and look for flaws, inconsistencies, plot
points, errors, characterisation, the correct mix of dialogue, narrative and
descriptions and the usual grammar problems etc. This formulates the first edit
and redrafting stage, then the second and third and so on.
The right
time to edit is when you finish the last chapter (whatever sequence that may be),
regardless how incomplete it might feel, or how bad you think it is. The first
draft is always incomplete, inconsistent, full of flaws, errors and
rubbish scenes etc. That’s why we edit
until it is complete.
The more you
write and become experienced, the more you will understand when it’s the right time
to edit. Remember that going back and tampering with the story isn’t editing,
nor is it finishing your story. There’s a simple process involved:
Write the
story>> Complete the end>>Leave It>>Read Through No.
1>>Read Through No. 2 = EDIT.
Next week:
Does the sequence of how you write matter?
Thanks for the advice
ReplyDeleteJust found your advice very instructive. I am a new writer. I have written 70k plus words now and I am struggling to knit my story together. Part of it stems from unresolved issues. By that I am not entirely clear how I want my story to end or how many subplots I want to include. I started editing my earlier chapters but really I have been prevaricating and realise now that I just need to take the bull by the horns and write my final chapter and make a few decisions about the plot. Thanks so much for your timely advice.
ReplyDeleteHi Marie,
DeleteGlad you find the site useful. Your dilemmas are not uncommon with new writers, so you're not alone. You're doing the right thing by NOT editing. Get that last chapter done - it doesn't matter if it doesn't make much sense or doesn't quite tie up things, because all that will be ironed out when you read through and edit properly.
Once you've done it, leave the story for a few weeks. Use that time to write a story plan or a chapter brief - whose story is it? What is the story really about? What will the main character accomplish? What motivates him/her? How will he or she change? What themes help to support the story? How will the subplots help the story? More importantly, how will it end and what will ultimately achieve?
With some new ideas from this, you'll be more focused and ready to tackle the story when you return to it.
Hope that helps.