Does multi-genre writing really work?
This is a subject I get asked about
all the time, especially from new writers anxious to write as much as possible
in as many genres as possible, yet while many writers can and do write in
different genres, and it’s not impossible, to step with ease from one kind to
another isn’t as easy as it seems.
It’s a well known fact that
writers start out writing in the genre that they most enjoy reading, and
certainly their earliest influences may drive this tendency. If you enjoy
reading thrillers, it’s most likely you’ll write in that genre, because you
enjoy it and understand it. If you enjoy reading romance fiction, then the
likelihood is that you’ll feel comfortable writing romance.
Of course, there are other things
that influence writers. Watching certain genre of movies or TV shows that they
enjoy may also influence a writer.
A writer will always write in the
genre they feel most affinity with, one that they feel comfortable working
with; the one they enjoy. And because of
this ease and affinity, an author’s voice and style will evolve accordingly.
Does it Work?
It can, but sometimes it doesn’t.
There are many cross genre
writers out there, people who can easily dip in and out of different styles.
For instance, horror writers might also be able to write romance. Thriller
writers might also write sci-fi etc. But cross-genre writing works only if the
writer feels comfortable with it, they enjoy the subject and can build closeness
with it.
A writer who hates romance will
not be able to write a convincing romance story. Likewise a romance writer
might not be able to write a convincing and scary horror story. The result
might be something contrived, stilted or forced.
But often many writers do this in
the belief they can write in any genre, and the result is always the same. If
something doesn’t feel right, then inevitably it isn’t. The readers will notice
this and they won’t enjoy the story.
I write dark thriller or
historical thriller stories, but I also write horror. I don’t write science fiction
because although I like sci-fi movies, I don’t have enough affinity or
attraction to the subject to write convincingly and authoritatively about the
subject. Likewise, I don’t write romance stories because have no attraction to
the subject, nor do I write political stories, because I have zero interest in
politics.
Instead of focusing on writing in
as many different genre styles as possible and trying to ‘fit’ into one of
them, write in the genre you feel most comfortable, one that you enjoy reading,
one that you feel closest to – this is your primary genre. This is
what your specialist subject.
Once you recognise that you can
build your writing around it and gain experience (and hopefully success) from
writing it. You can then explore other genres that you feel attracted to, or comfortable
with or like reading. These are secondary genres.
When we think of some of our
favourite authors, we usually associate them with one specific genre, but there
are many who have written novels in completely different genres, for instance:
Ian Fleming is known for his James
Bond/spy novels, but he also wrote Chitty
Chitty Bang Bang, which is a children’s novel. We think of Stephen King as
master of horror, with stories like Carrie
and The Shining, but he’s also
written contemporary thrillers such as The Green Mile, and science fiction
based stories like Under the Dome. Neil
Gaiman is known for his fantasy, sci-fi and graphic novels, but he’s also
written children’s stories, such as The
Graveyard Book.
Notice that these writers have a
primary genre, written works that they are most famous for, but they also have
secondary genres.
But what if I can only write in one genre?
Most writers can probably write
two or three genres quite comfortably and successfully. Others can only write
one genre only and that doesn’t make them any less different.
There is nothing wrong with only
being able to write in one specific genre. Plenty of writers do, simply because
it’s what they are good at, it’s their forte and they have been just as successful
as multi-genre writers.
The thing to remember is that if
it is a subject you don’t particularly like or understand, or you don’t feel
affinity towards then don’t write it because the result will be a terrible,
forced and unconvincing story. And that’s because your heart won’t be in it.
Write what you love, what
interests you, what moves you, what makes you passionate. Write what makes you
happy. Whatever the genre.
Next week: Recurring
themes and how to use them.
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