Expressing tone in your writing
Setting
tone in your stories is one thing, but expressing
it is another thing entirely.
When
we talk about tone, it generally means the overall quality, exposition and
pitch of the writing and the value it brings to the narrative in terms of what
it gives to the reader because they need to understand the tone of your novel
or story.
The
tone is about the writer’s ability to covey thoughts and feelings in relation
to the themes that make up the story. Often
writers confuse tone with mood and ‘voice’, but although these aspects
complement each other in fiction writing, there are subtle differences between
them, and they both have different roles to play within the narrative.
‘Voice’ is the essence and
individual style of the writer coming through the narrative. Mood however, (and
its close relation, atmosphere), is the effect created by the writer to evoke a
range feelings within the reader – horror, sadness, humour, empathy and compassion
etc.
The real importance here is how
writers express the tone of the story
and how
they achieve this.
How do you create Tone?
Think about the tone of someone’s
voice when in conversation. The pitch often changes, some words are emphasised
by elongation or shortening them and their sounds change, depending on the
person’s mood and reactions.
So in fiction writing, it’s also
about choosing the right words in order to convey the right meaning. It’s about
the right exposition - emphasising words, changing the sound of them and varying
the pitch and pace of them all help create tone.
The nature of a story’s tone is also
dictated by the genre. Romance writers
lean towards softer narrative with and fulsome phraseology. Horror writers will use darker words and emphasise
certain words while thriller writers might use tight, concise exposition to
create a fast paced tone.
For instance, compare these two
paragraphs:-
She
looked up from between crinkled sheets at the hazy light forming a seductive
veil around the figure sitting by the window. Soft glow highlighted his strong
features…
Now the other example:She snatched the sheets aside and got out of bed. The rain had stopped, but low light sprinkled the cool maw that clung to the room and bathed her face in a grey cloud…
You can see in the first example how
the right words express the tone of narrative, even without knowing what kind
of genre it is – words like ‘hazy light’, ‘seductive veil’ and ‘strong
features’ all tell us the tone here is about romance. When compared with the second example, the
choice of words is different, the exposition is tight and the use of dark
colours clearly tells the reader the kind of tone to expect.
Tone can be delivered in the
following ways:
·
Using the right descriptive words
·
Use of imagery – colours and sounds,
shadows and light etc.
·
Symbolism
·
Metaphor
·
Pacing and flow of sentences
More examples expressing different tones:
The sound of his mother’s whimpers carried through the
musk-laden darkness like a creeping fog, and each hour that passed, her pain
whittled against the silence. Locked behind the attic door, he listened as her
voice slowly trailed off…
From this example you can hear the dark
undercurrent in this extract, emphasised through the choice of words, the pace
and flow of the sentences and how they’re pitched.
Try this example:
Molly jumped against the soft walls of the bouncy castle and
she rebounded, falling into a heap with the other children. Her laugh mingled with a cacophony of voices,
like a colourful kaleidoscopic melee…This example is more buoyant and lighter in tone, made effective simply through choice of words. Imagine if I had used a different tone:
Molly fell against the walls of the bouncy castle and she rebounded,
falling into a heap with the other children.
Her screams mingled with a cacophony of voices, like the screech of
caged cats…
See how the tone has dramatically
changed, just through the use of different words? That’s why tone is important in your
narrative – the right tone.You can see how easy tone and mood and authorial voice seem very similar, but each has its own role to play in the composition of a story. And where tone is concerned, once you know the precise nature of the scene you want to craft for your characters, then you can create the right tone.
Next week: Does there have to be a
moral to every story?
Interesting and not what I was expecting. You're describing an author's style and tone in words. "It stank of stale piss" or "Stale urine tainted the air"; scene painting with words and the overall tone of the work.
ReplyDeleteI was expecting a discussion of TOV in dialogue.
I am not disappointed and TOV in dialogue is more complex.
Thanks for the great, stimulating blog.
Hi Bryn. Interesting comments. TOV in dialogue v narrative is different and, as you say, more complex. That's for another article, methinks!
DeleteBut glad you enjoyed the article.